In my research project, I am looking for an answer of what is the genuineness/essence of participation in these social-turn art practices and what can be generated exactly by participation.
Culture and Enterprise Events
Category: MA Culture Criticism & Curation
Dissertation Presentation: “The Curatorial as Monument” investigates the ongoing status of the monument and seeks to speculate on how to ‘warn or remind’ after the assassination of Investigative Journalist Daphne Caruana Galizia in Malta. It looks to the activist, the curatorial and the disruptive as spaces for the monument to emerge.
What do Non-Fungible Tokens mean for the future of art and design? And what would a framework for an educational-financial platform look like, and be used to enrich and empower creative education?